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The Square de la Place Dauphine on the Isle de la Cite, Paris. One of the most enchanting and original squares in Paris.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 4/5 second and aperture F25. 150 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
This tiny bistro is at the entrance to the Square de la Place Dauphine on the Isle de la Cite. Right down to the dog and the smokers dragging in unison, the image is reminiscent of by-gone Paris.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 200. Exposure of 1/6 second and aperture 4.5. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
This tiny bistro is at the entrance to the Square de la Place Dauphine on the Isle de la Cite. Right down to the dog and the smokers dragging in unison, the image is reminiscent of by-gone Paris.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 200. Exposure of 1/6 second and aperture 4.5. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
The Square de la Place Dauphine on the Isle de la Cite, Paris. One of the most enchanting and original squares in Paris.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 1 second and aperture F25. 150 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
The Square de la Place Dauphine on the Isle de la Cite, Paris. One of the most enchanting and original squares in Paris.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 1/25th second and aperture F20. 28 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
Up the hill from the Eiffel Tower this lovely carousel sits in the park of the Trocadero. Best photographed with its lights ablaze, later afternoon and dusk are the ideal times to capture the magic. The Eiffel Tower is so iconic that only a glimpse is enough to place the location.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 7/10 second and aperture 7.1. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
At the foot of the Eiffel Tower is a spectacular carousel. Best photographed with its lights ablaze, later afternoon and dusk are the ideal time to capture the magic.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 1/3 second and aperture F9. 28 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
At the foot of the Eiffel Tower is a spectacular carousel. Best photographed with its lights ablaze, later afternoon and dusk are the ideal time to capture the magic.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 100. Exposure of 1/3 second and aperture F9. 28 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
At the foot of the Eiffel Tower is a spectacular carousel. Best photographed with its lights ablaze, later afternoon and dusk are the ideal times to capture the magic. The Eiffel Tower is so iconic that only a glimpse is enough to place the location.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 2 seconds and aperture F22. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away. This window by Pucci was one of the most striking.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 50. Exposure of 1/20 second and aperture F7.1. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 1.6 seconds and aperture F22. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 50. Exposure of 3/5 second and aperture F22. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 50. Exposure of 1/2second and aperture F22. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 50. Exposure of 2 seconds and aperture F22. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
Ave Montaigne, which runs between the Champs Elysees and Pont d'Alma, concentrates almost all the haute couture houses in Paris in a single strip a few hundred meters long. Side by side, and sharing the same street presentations, they all have doormen who try in vain to chase photographers away.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 50. Exposure of 1/20 second and aperture F7.1. 45 mm Phase One lens. The image was captured on a Phase One IQ180 80 megapixel digital back.
The Grand Palais photographed at nine pm from the Alexandre III bridge. Built together with the bridge for the 1900 Universal Exhibition, the Grand Palais now houses the City of Paris Museum of Fine Arts.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 10 seconds and aperture F9. 150 mm Schneider Kreuznach telephoto lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
The Grand Palais photographed at nine pm from the Alexandre III bridge. Built together with the bridge for the 1900 Universal Exhibition, the Grand Palais now houses the City of Paris Museum of Fine Arts.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 10 seconds and aperture F9. 150 mm Schneider Kreuznach telephoto lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
Image Number 77
The Pont Alexandre III is Paris's most elegant bridge, ornamented with fine sculpture work. Amongst the decorations are four 17 metre high corner pillars, bearing four gilded bronze equestrian groups which represent Pegasus held by Fame. In the distance is the Grand Palais. Built together with the bridge for the 1900 Universal Exhibition, it now houses the City of Paris Museum of Fine Arts.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 1.6 seconds and aperture F8. 80 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back.
The Pont Alexandre III is Paris's most elegant bridge, ornamented with fine sculpture work. It comprises a single leaf arch that spans the Seine in a great curve, lowered so as not to obstruct the view of the Champs-Elysées or les Invalides. The first stone was placed by Tsar Nicholas II and the bridge was opened at the 1900 Universal Exhibition. Amongst the decorations are four 17 metre high corner pillars, bearing four gilded bronze equestrian groups which represent Pegasus held by Fame. The Grand Palais is in the distance.
The image was taken with a tripod-mounted Phase One 645 Camera at ISO 35. Exposure of 1.6 seconds and aperture F9. 150 mm Schneider Kreuznach lens with leaf shutter. The image was captured on a Phase One IQ180 80 megapixel digital back. Shadow areas have been opened using Capture One. Photographed just after sunset in failing light.